Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.