Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Martin Philbey’s portrait of Dan Sultan.
Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.
The story behind the creation of the portrait of Helen Garner by Jenny Sages.
Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.
Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.
Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
In 2000, Barbara Blackman donated a portrait of her close friends - poet Judith Wright, her husband Jack McKinney and their daughter Meredith - painted by Charles Blackman.
John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.
Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.