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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Transillumination (A Moment of Noise in Memory of Absence), 2016 by Kailum Graves, video: 9 minutes

Transillumination (A Moment of Noise in Memory of Absence), 2016

by Kailum Graves

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Finalist, DPA 2016

Jude Rae, 2016 by Mark Mohell

Jude Rae

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Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay

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Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Gravity, 2009 by Alwar Balasubramaniam

Alwar Balasubramaniam

by Zehra Jumabhoy

Born in 1971 in Tamil Nadu, Southern India, Alwar Balasubramaniam's sculptures, prints and installations challenge our perceptions while creating forms for the invisible and the intangible.

Goollabal (Rainbow Serpent), 2018 by Shirley Purdie

Memories

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The second row of paintings recall stories relating to specific sites, experiences and activities.

I was not waving but drowning II, 2005 by Atul Bhalla

Atul Bhalla

by Khavita Singh

Atul Bhalla was born in 1964 in New Delhi. He frequently combines photography, installation, sculpture, video, painting and performance to question the human relationship with the natural and constructed environment.

Ken Done, 2016 by Mark Mohell

Ken Done

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With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

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I like talking about Drendel’s pictures as if they expressed dreams of my own.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

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Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

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Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

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Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

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Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency