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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait 59

NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.

A Sydney family, 1840s

The house, the horse, the wife and the offspring

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

Layla 2020 Veronica Watson, pencil on paper. Layla 2020 Sarah McEwan, fabric, acrylic on MDF. Self portrait 2020 Layla Bacayo, drypoint on paper. Image: Sarah McEwan

Mash-up

Magazine article by Penelope Grist, 2022

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?

Portrait 61

Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.

Portrait 56

Browse the history of the National Photographic Portrait Prize, Cayce Zavaglia's embroidered portraiture, and modern wedding photography!

Portrait 60

Ralph Heimans on his portraits, and features on Louis Kahan, Helena Rubinstein, Judy Cassab and Tasmanian convicts.

Portrait 58

Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Portrait 63

Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.

Portrait 62

National Photographic Portrait Prize 2019, the iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato, Angélica Dass’ Humanæ project and more.

Portrait 64

Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

General Cosgrove, Dili, East Timor 1999

On active service

Magazine article by Sam Bowker, 2007

The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.

Margaret Anderson

The line of fire

Magazine article by Michelle Fracaro, 2005

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

Quong Tart, 1880s

Finest quality

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.

Stuart, 2008

Interiors

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman previews the National Photographic Portrait Prize 2009.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency