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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Studio portrait of servicewoman Lance Corporal Kathleen Jean Mary (Kath) Walker, c.1942

Past present

Magazine article by Krysia Kitch, 2016

Krysia Kitch celebrates Oodgeroo Noonuccal.

Portrait bust of Dr Christine Rivett

A gift for all ages

Magazine article by Rod Kemp, 2003

The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.

Video still from Dream Job, 2011 by David M Thomas

My dream job

Magazine article by David Thomas AM, 2012

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

One hundred days at 7pm 2015 by Fiona McMonagle

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Self Portrait with Stetson, 2011 by Darren McDonald

Painting them gently

Magazine article by Penelope Grist, 2015

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

Amy Johnson wearing a woollen suit from the collection of flight clothes designed by Madame Schiaparelli for her solo flight from London to Cape Town, 1938 unknown photographer

Air wear

Magazine article by Esther Agostino, 2015

Aviation carried women’s roles in society to greater heights – fashion followed suit.

Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Cormac + Callum Kenne, My Children, Sydney, Australia, 2009

Citizen Kenne

Magazine article by April Thompson, 2013

April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.

Creator versus character - Chris Lilley

How to be a boy

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency