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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari

A handful of sand

Magazine article by Ellen Kent, 2007

Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.

Zareth, 2009

I am mine

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.

Barack Obama, 2018 by Kehinde Wiley

The Obama effect

Magazine article by Kim Sajet, 2018

Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.

Pat and Richard Larter, Luddenham, 1970s

Pin-ups

Magazine article by Dr Christopher Chapman, 2008

Christopher Chapman describes the art and life of Australian artist Richard Larter.

Themes and variations (Annelies) A13, 1946

Listening to form

Magazine article by Jane Kinsman, 2007

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Mrs Jordan, 1762-1816

One and all

Magazine article by Niamh MacNally, 2007

The current exhibition of portraits at the National Gallery of Ireland Print Gallery investigates just how paper-thin ideas of likeness are.

Portrait 69

Portrait 69

In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Bob Ellis

Tribute

Magazine article, 2016

Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.

Jim Conway

Selfhood transcended

Magazine article by Dr Anne Sanders and Dr Christopher Chapman, 2018

Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.

Robert, Lindy, Grant

Face the music

Magazine article by Christine Clark, 2005

Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.

Portrait 67

Portrait 67

William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.

Martin Schoeller 2008

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

After Dante’s Inferno, 2018 Sarah Rhodes © the artist

Observation point

Magazine article by Sarah Rhodes, 2019

I met Clara while teaching photomedia at the University of Tasmania last year. One of her assignments focused on her relationship with her former boyfriend, who she now works for as his live-in carer.

Yellow portrait (portrait of Alex Jelinek)

Fugue in Yellow

Magazine article by Roger Benjamin, 2015

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency