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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Portrait of Kang Sehwang, 1783 by Yi Myeonggi

The artist, the scholar and the gentleman

Magazine article by Kwon Hyeeun, 2019

Kwon Hyeeun introduces Korean portraits of Kang Sehwang, and five generations of the Kang family.

Sam and the Perfect World, 2005

The news from Washington

Magazine article by Lauretta Morton, 2006

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Skyhooks (Red Symons, Bob Starkie, Shirley Strachan, Greg Macainsh, Freddie Strauks) in Parker’s studio, Fitzroy, 1975 David Parker

Cool cool world

Magazine article by Penelope Grist, 2022

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Self portrait

Fine and dandy

Magazine article by Joanna Gilmour, 2010

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Studio portrait of servicewoman Lance Corporal Kathleen Jean Mary (Kath) Walker, c.1942

Past present

Magazine article by Krysia Kitch, 2016

Krysia Kitch celebrates Oodgeroo Noonuccal.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

William Shakespeare, c. 1600-1610 associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam

Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Revd Dr Robert Walker Skating on Duddingston Loch, c.1795 by Sir Henry Raeburn

Great Scots

Magazine article by Diana O'Neil, 2017

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency