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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Studio of the American & Australasian Photographic Co., Hill End, 1872

A rogue's calling card

Magazine article by Joanna Gilmour, 2008

Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.

Walter Gropius and Harry Seidler

Walter Gropius and Harry Seidler

Walter Gropius and Harry Seidler

Walter Gropius and Harry Seidler, 1954

Portrait, gelatin silver photograph on paper

Purchased with funds provided by Timothy Fairfax AC 2003

Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York, May 9, 1901, 1903 by Tom Roberts

Empire records

Magazine article by Kylie Scroope, 2011

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

image not online

Portrait of Leslie Walford, 1970s

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Sally Hardy 2019

Portrait 69

Portrait 69

In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.

Checkered Past, 2003 by Alex Epoff

Headspace 4

Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Sir Robert Gibson

Sir Robert Gibson

Sir Robert Gibson GBE (1863-1934) trained in design and drafting in Glasgow, where he began work as a designer at an iron company; he soon became manager of its London office.

1 portrait in the collection

Baz Luhrmann

Glossy 2

Faces, Magazines, Now

Previous exhibition, 2005

Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Pixie O'Harris

Pixie O'Harris

Pixie O’Harris MBE (1903–1991), author and illustrator, was born Rona Olive Harris in Cardiff, one of the eight children of painter, George Frederick Harris.

1 portrait in the collection

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

John Clarke

Humour’s warm refuge

Magazine article by Angus Trumble, 2017

Angus Trumble pays tribute to John Clarke.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency