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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

The Jester (self portrait)

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Untitled #88 (Captain Brad Kilpatrick and Kylie Minogue, Balibo, East Timor, 20 December 1999)

For the boys

Magazine article by Alistair McGhie, 2011

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Ned Kelly death mask

Getting a head

Magazine article by Alexandra Roginski, 2015

Alexandra Roginski gets a feel for phrenology’s fundamentals.

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Milton Glaser Art is Work

Portraits and other stories

Magazine article by Christine Clark, 2006

As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.

Alexander Pearce
executed for murder
July 19th 1824

Public hanging

Magazine article by Michael Desmond, 2008

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Leigh Bowery in Fur Coat

Hyperversity

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Sam and the Perfect World, 2005

The news from Washington

Magazine article by Lauretta Morton, 2006

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Billy Hughes paperweight

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Charles Haddon Chambers

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency