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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Cate Blanchett

The transparent mask

Magazine article by Karen Vickery, 2015

Cate Blanchett and the art of acting in Rosetzky’s digital portrait.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Untitled #88 (Captain Brad Kilpatrick and Kylie Minogue, Balibo, East Timor, 20 December 1999)

For the boys

Magazine article by Alistair McGhie, 2011

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

Self portrait

Expect the unexpected

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
Portfolio of 54 portraits compiled by Queen Victoria, 1859–1861 by John Jabez Edwin Mayall, Camille Silvy, Frances Day and William Bambridge

Queen of cartes

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Open your mouth, 2002 by FX Harsono

FX Harsono

by Christine Clark
Artist essays

FX Harsono was born in 1949, just as the independence of the Indonesian nation was being established.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Orlando and Wilson, 2021 Chris Budgeon

People are people

Magazine article by Sandra Bruce, 2022

Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.

Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Marcia Langton

The story of us

Magazine article by Penelope Grist, 2022

Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

The cook (Michael Schmidt/architect), 1987

Hall of mirrors

Magazine article by Naomi Cass, 2007

Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.

Portrait of a lady (Sonia McMahon)

Desperately seeking Sonia

Magazine article by Angus Trumble, 2015

Esther Erlich’s portrait of Lady McMahon.

Love City; George Gittoes on hilltop 2013

Man of war

Magazine article by Tedi Bills, 2016

Tedi Bills talks to George Gittoes about canvassing conflict.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency