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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions

Painting light and life
Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.

Self portrait

Mysterious eyes

Arthur Boyd portraits from 1945
Previous exhibition, 2016

Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.

Betty Burstall

Arthur Boyd Portraits

Previous exhibition, 1999

This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters

Milton Glaser Art is Work

Sam Haskins

Portraits & Other Stories
Previous exhibition, 2006

Haskins is known for his poetic combinations of images and this exhibition of 'extended' portraits builds on this approach.

Bungaree, late chief of the Broken Bay tribe, Sydney

Heads of the People

A Portrait of Colonial Australia
Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia
Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

Decorative portrait – Len Lye, c.1925 by Rayner Hoff (1894-1937)

Presence and Absence

Portrait Sculpture in Australia
Previous exhibition, 2003

This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day

Self portrait, 1970 by Matthew Perceval

Portrait Paintings by Matthew Perceval

Previous exhibition, 2007

From 1967 until 1981 Matthew Perceval lived and painted in France and during those years produced a large body of portrait paintings.

masculine/feminine, 2010 by Bridget Mac
NYSPP 2010 winner

National Youth Self Portrait Prize

NYSPP 2010
Previous exhibition, 2010

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Margaret Whitlam

Open Air

Portraits in the Landscape
Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Lee Kernaghan near Broken Hill

Australian of the Year

Inspiring a Nation
Previous exhibition, 2010

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Sir Ian Potter

Mark Strizic

A Journey in Photography
Previous exhibition, 2004

This exhibition traces the creative output of nearly 50 years by one of Australia's landmark living photographers.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Barry Humphries

Clifton Pugh

Australians
Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency