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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Blue Easel with Jack Drawing, 1996-1999

The man behind the art

Magazine article by Giles Auty, 2002

Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.

Self Portrait with Stetson, 2011 by Darren McDonald

Painting them gently

Magazine article by Penelope Grist, 2015

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

Chance meeting, 1940-41 by Martin Lewis

Nocturnal animals

Magazine article by Joanna Gilmour, 2017

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Glenn McGrath

Pigeon coup

Magazine article by Christine Clark, 2006

Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Personal Hygiene, 2007

Shifting pixels

Magazine article by Gillian Raymond, 2007

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Barack Obama, 2018 by Kehinde Wiley

The Obama effect

Magazine article by Kim Sajet, 2018

Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.

Mr John Eason

The shipwright's arms

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

Daniel Johns, Silverchair Melbourne 2007 by Martin Philbey

Rock art

Magazine article by Andrew Mayo, 2016

Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

Mrs Jordan, 1762-1816

One and all

Magazine article by Niamh MacNally, 2007

The current exhibition of portraits at the National Gallery of Ireland Print Gallery investigates just how paper-thin ideas of likeness are.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Mia Wasikowska as Robyn Davidson at Hamelin Pool, 2013 by Matt Nettheim

Hump days

Magazine article by Jessica Bolton, 2017

Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency