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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portraits

Explore how three artists approach photographic self portraiture.

Teacher tip: click here to download images of the portraits, or click on the images below to read artist statements from the photographers.

1 Bather, 2024 Gerwyn Davies. 2 Self portrait collecting dust, 2025 Tom Zust. 3 Eldest daughter's freedom, 2024 Tiarni Majid-Loban.

Look

  • Invite students to use drawing as a way of closely observing the portraits.
  • Ask students to create a continuous line drawing while looking carefully at one portrait. Encourage them to focus on shapes, lines and details without lifting their pencil.
  • Remind students that this is about capturing key features and forms, not replication.

Discuss

  • Invite students to work in small groups and select one portrait to discuss in more depth.
  • Ask students to share interpretations and explore how each artist represents themselves.

Discussion prompts:

  • Gerwyn Davies’ Bather: why do you think the artist chose to hide parts of their body from the viewer?
  • Tom Zust’s Self portrait collecting dust: how does the location add to the artist’s personal story?
  • Tiarni Majid-Loban’s Eldest daughter’s freedom: what words would you use to describe the feeling this portrait evokes?

Connect

  • Invite students to read the artist statement for one of the portraits and reflect on the connections between the artist and themselves.
  • Ask students to consider how identity, experience and perspectives shape the work.
  • Students could create a mind map to record their connections.

Inquiry prompts:

  • In what ways are we similar?
  • In what ways are we different?
  • In what ways can I connect with them?
  • What would you ask, say or do with them if you had the opportunity to meet?

Create

  • Invite students to create their own photographic self portrait inspired by the ideas explored by the three artists.
  • Encourage them to think about how identity can be expressed visually and conceptually.

Creative prompts:

  • How can you explore the visible and invisible aspects of your identity?
  • How can you give power to yourself as the subject?
  • How will you capture a feeling or a moment in time?
  • How can you use objects and place to express your personal story?
© National Portrait Gallery 2026
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency