Today we will LOOK at the portrait of Peter Sculthorpe by Eric Smith; THINK about narrative and storytelling; WATCH a video interview with Peter Sculthorpe; READ an article by Eric Smith; DO a couple of activities and finish with a quiz.
In music ‘composition’ refers to the arrangement of notes on a score, while in portraiture it refers to the considered arrangement of visual elements. A composition can be formal, adhering to rules of single point perspective, or looser and more expressive, allowing artists to create mood or explore the psychology of their sitters. In this portrait of musical composer Peter Sculthorpe, artist Eric Smith arranged the canvas into two halves, with the more representational elements on the left progressing towards a more abstract arrangement of shapes on the right. In combination with the use of thick impasto paint and bold primary colours, the composition creates a dynamic scene, alluding to music emanating from the piano and the creative process of writing music.
Peter Sculthorpe AO OBE (1929–2014) was an internationally renowned composer. Born in Launceston, Sculthorpe began music lessons around age seven and wrote his first compositions by torchlight under the bedclothes at night. At high school, he decided to become ‘the most famous composer in Tasmania’, enrolling at the University of Melbourne at sixteen. His 1954 Sonatina for piano was selected for performance in Germany in 1955; and in 1958 he won a scholarship to study at Oxford. In 1966 Sculthorpe gained a Harkness Fellowship to study in the US and later became composer-in-residence at Yale University. Sculthorpe stated in 1998 that, by being overseas, he ‘gained a perspective on what I had left behind at home’; consequently, a number of his major works explore aspects of Australian climate, landscape, history and Indigenous culture, such as Irkanda IV (1961), Sun Music I and Sun Music III (1965 & 1967), Port Essington (1977) and Kakadu (1988). In the late 1960s, Sculthorpe was appointed Reader in Music at Sydney University, and later held a personal chair as its Professor in Musical Composition. A member of the Order of the British Empire and the Order of Australia, Sculthorpe counted being named a National Living Treasure as among the most significant of his many honours and awards. His eighteenth string quartet was premiered in June 2010.
Eric Smith (1919-2017), painter, studied commercial art in his native Melbourne and attended RMIT. He won the Blake Prize six times between 1956 and 1970. Between 1960 and 1962 he was a member of the Sydney Nine group of abstract artists. In 1962 Smith was awarded the Helena Rubenstein travelling scholarship. Returning to figuration, he won the Archibald Prizes of 1970 and 1981, also taking out the Wynne Prize in 1974 and the Sulman Prize in 1953, 1973 and 2003. This portrait of Sculthorpe won Smith his third Archibald Prize, in 1982.
For Peter Sculthorpe, this portrait is ‘a real painting of me. It captures my heart, my soul, my spirit, my music, everything.’ Watch the Portrait Story.
An interview with Peter Sculthorpe Video: 2 minutes
I do not like painting commissioned portraits – painting accurately what you see in front of you of people you know a little about, doesn't interest me.
Composition has multiple meanings in the case of Eric Smith’s portrait of Peter Sculthorpe. Explore visual composition by creating your own collage.
You will need: 1 sheet of blank paper; paint or pencils; scissors; old magazines or newspapers you are happy to cut up; scrap coloured paper; glue or tape.
Begin by preparing your visual elements – cut out pictures from old magazines, as well as shapes from scrap paper. Packaging could also be cut up to create blocks of colour, or you can make your own by colouring in shapes.
With your paper in horizontal orientation, position your visual elements across the page. Move them around, removing or adding as required, until you are happy with the composition.
Before sticking them down, create a background using any drawing or paint materials you choose.
Stick your elements in place to complete the composition.
Step back and view the work from a distance so you can admire the full composition, then slowly walk back towards it.
Connected activity
Let’s step up the compositional challenge, with a competition that requires you to compose 3D elements.
You will need: a mixture of different shaped items from your pantry (sauce bottles, jars, spice mills, etc.); a clear space; smartphone (or some means of taking a picture and sharing it). You can either connect by phone or video call.
Call a friend and set them a compositional challenge.
Each of you find a group portrait (eg. – sports team, band, family, etc.) and share the picture with the other.
Give each other five minutes to gather pantry items so that you are ready to start at the same time. (Note: it might be useful to seek out an eclectic assortment of shapes and sizes in these items!)
Agree on a time limit. On calling ‘go’, each person has to recreate the portrait the other selected as best they can, using the items they have in front of them.
Once complete, take a picture of your scene and send it to your friend. Admire each other’s work, and, if the competitive juices start flowing, come to a diplomatic agreement on whose was the best representation!
Share the fun! Remember to tag us @PortraitAu and use the hashtags #TheAmazingFace #PortraitureComesHome
