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The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.
An exhibition of humanness in ten themes by Penelope Grist.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
Robyn Sweaney's quiet Violet obsession.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Curator, Penny Grist, reveals how this exhibition came to be
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.