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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Zareth, 2009

I am mine

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.

Zareth, 2009 by Scott Bycroft

NPPP 2010 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2010 Prize.

Ann Mary Windeyer
Ann Mary Windeyer
Ann Mary Windeyer

Ann Mary Windeyer, 1847

G Ziegler
Portrait, pastel and gouache on paper laid down on backing sheet

Collection: National Portrait Gallery
Gift of Joanna Russell Maher (née Windeyer) 2018

Henry Chamberlain Russell and family at Sydney Observatory
Henry Chamberlain Russell and family at Sydney Observatory
Henry Chamberlain Russell and family at Sydney Observatory

Henry Chamberlain Russell and family at Sydney Observatory, c. 1895

Charles Bayliss
Portrait, albumen silver photograph

Collection: National Portrait Gallery
Gift of Joanna Russell Maher (née Windeyer) 2018

Judith Wright with Barbara Blackman
Judith Wright with Barbara Blackman
Judith Wright with Barbara Blackman

Judith Wright with Barbara Blackman, c. 1956

Charles Blackman OBE
Portrait, oil on paper laid down on board

Gift of Joanna McNiven 2018. Donated through the Australian Government's Cultural Gifts Program.

Lady Barkly

New exhibition tells big stories through pint-sized portraits

2 November 2018
Archived media releases 2018

The National Portrait Gallery is bringing the Victorian era back to life in a special exhibition exploring the colour and character of post-goldrush Australia. 

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Dulcie Deamer, c. 1920

Out of the shadows

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

Louis XVI giving final instructions to the Comte de La Perouse, c. 1785

Sea legged frogs

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

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Annual Appeal

Listed by year
Honour board
NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

The Jester (self portrait)

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

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Portrait Donors

Listed by year
Honour board
The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency