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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011

General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Past, present, future, 2002 by Wang Qingsong
M+ Sigg Collection

Chinese Art

General content

A short overview of modern Chinese art from 1949 to the present.

David Chalmers

Coming into being

NPPP 2018 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.

Eden, 2011 by Arianne McNaught

Arianne McNaught

NPPP 2012 learning resource

An interview with the photographer.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

National Portrait Gallery

History

How the National Portrait Gallery and its unique collection came to be

In the Lounge, 2006 by North Sullivan

Seduce, Amuse, Entertain

NPPP 2007 exhibition essay

General content

Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Robyn Sweaney, 2016 by Mark Mohell

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Lesley Harding

Faces of war

Lecture, 14 May 2011

General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011

General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

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Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency