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The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
Images for media use will be available from 8 March 2018.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
On show in Gallery 3, One-on-one showcases portraits of pairs from the collection from the 1800s to today.
Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Christopher Chapman ponders our digital identity and selfhood.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.