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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self portrait, 1970 by Matthew Perceval

Portrait Paintings by Matthew Perceval

Previous exhibition, 2007

From 1967 until 1981 Matthew Perceval lived and painted in France and during those years produced a large body of portrait paintings.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Margaret Whitlam

Open Air

Portraits in the Landscape

Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008

Christopher Chapman looks at some contemporary portraits that explore the construction of identity.

Andrew Sayers

Andrew Sayers AM

Andrew Sayers AM (1957–2015) was inaugural Director of the National Portrait Gallery.

2 portraits in the collection

Andrew Sayers

Andrew Sayers

Andrew Sayers

Andrew Sayers, 2012

Portrait, gelatin silver photograph, selenium toned on paper

Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2013

Tim Burstall, Andamooka (filming of the Last of the Knucklemen)

Tim Burstall

Tim Burstall (1927-2004) set up Eltham Films in the early 1950s, when the local film industry was moribund.

2 portraits in the collection

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Rosaleen Norton, Witch of Kings Cross

Rennie Ellis

Previous exhibition, 2006

Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.

Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Luke Scibberas, Hill End NSW, 2004

Artists' space

Magazine article by John McDonald, 2007

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency