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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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John Monash

Lauded legacy

Magazine article by Karl James, 2015

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Tracey

Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

Portrait of Mary MacKillop c 1873

The Saint and the merchant

Magazine article by Dr Sarah Engledow, 2010

Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

Solo flight, 1977

Moving pictures

Magazine article by Dr Christopher Chapman, 2008

The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

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Terms and conditions

More about the NPPP 2015

Conditions of entry for the National Photographic Portrait Prize 2015.

Statesmen, No. 4

Meeting by Murder

Magazine article by Yvonne Audette AM, 2005

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

Part of the crew of His Majesty's Ship Guardian endeavouring to escape in the boats

South-bound and down

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

Bod Polly Borland

In profile

Magazine article by Oliver Giles, 2023

Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Girl’s Home Regulations: BLANKETS To be aired daily. Dirty blankets to be washed. Each inmate to have her own blanket with her name in the corner. Blankets to be in the press by 12 o’clock and the press locked by the Matron, 2023 Simone Arnol

Seeing red

Magazine article by Rebecca Ray, 2023

Rebecca Ray delves into Simone Arnol’s powerful photographic tribute to her great-grandmother

Amy Johnson wearing a woollen suit from the collection of flight clothes designed by Madame Schiaparelli for her solo flight from London to Cape Town, 1938 unknown photographer

Air wear

Magazine article by Esther Agostino, 2015

Aviation carried women’s roles in society to greater heights – fashion followed suit.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

Portrait of a Young Man, 1478

Emblems of beauty

Magazine article by Keith Christiansen, 2012

Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.

Ang Retabla Rizalista (Relikaryo ni Arnulfo Tikb-ang) 2011 The Rizalian Retablo (Reliquary by Arnulfo Tikb-ang)
by Alwin Reamillo

Alwin Reamillo

by Christine Clark

Alwin Reamillo was born in Manila, Philippines in 1964. He studied painting at the University of the Philippines College of Fine Arts, and began his career as a visual art teacher at the Philippine High School for the Arts.

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency