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This issue of Portrait Magazine features the exhibition The world of Thea Proctor, porcelain sculpture of Dr. John Yu, Pat Mackie, the Kylie Minogue exhibition and more.
Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.
This issue features the new National Portrait Gallery building, James Cook and John Banks, Cate Blanchett, Irina Baranova, Annette Kellerman, Shepard Fairey and more.
This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.