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The hands have it

Angus Trumble treats the gallery’s collection with a dab hand.

You, looking at me

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Australians in Hollywood

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Every flap, fold and bulge

Boyd to man

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Post digital

Tegan McAuley looks at the evolution of video portraiture.

The long game

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

The Vanity model

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

Less than six degrees of separation

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Finding Mrs Frisby

Robyn Sweaney's quiet Violet obsession.

Painting them gently

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Eating the seasons

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

The life of Bryant

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.