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Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Alwin Reamillo was born in Manila, Philippines in 1964. He studied painting at the University of the Philippines College of Fine Arts, and began his career as a visual art teacher at the Philippine High School for the Arts.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.