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Since 1993 Brisbane-based artist David M Thomas has investigated self identity through art works that encompass painting, text, audio, video and performance.
Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.
Portraits of Australia’s pioneering psychologists and artworks by artists fascinated by the subconscious mind.
This display sets two impressive portraits from the collection into direct dialogue: Sam Jinks’ sculptural self portrait and Nick Mourtzakis’ painted portrait of David Chalmers, along with related maquette and sketches.Together they explore physical and psychological manifestations of the strata of self-hood.
Through David Moore's camera we meet many of the outstanding figures of the twentieth century - in diverse areas of achievement - as well as anonymous faces which speak directly to us in these photographs.
The Darling Prize is a new biennial prize for Australian portrait painters, painting Australian sitters. The winner receives a cash prize of $75,000.
Revealing the backstories behind the NPG collection, Before hand features interviews with artists and sitters as well as working drawings, scrapbooks, sketches and footage taken in artists’ studios and out on location.
For the first hundred years or so of its existence, The National Portrait Gallery in London had no contemporary collection at all
The late Australian photographer Stuart Campbell produced superb photographs of Australian actors of stage and screen.
Bare: Degrees of undress celebrates the candid, contrived, natural, sexy, ironic, beautiful, and fascinating in Australian portraiture that shows a bit of skin.
The National Photographic Portrait Prize exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Featuring 130 works across painting, film, photography, screen printing, sculpture, and then some – it explores our inner worlds, outer selves, intimacy, isolation, celebrity and more.
Eye to Eye is a summer Portrait Gallery Collection remix arranged by degree of eye contact – from turned away with eyes closed all the way through to right-back-at-you – as we explore artists’ and subjects’ choices around the direction of the gaze.
To celebrate the centenary of the birth of poet Alec Derwent Hope AC OBE (1907-2000), the National Portrait Gallery exhibited a selection from its many portraits of Australian poets and authors.
Elvis at 21 is a photographic exhibition capturing Elvis’ rise to fame in the year 1956, before security and money built walls between him and his fans.
The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Australian photographer Karin Catt has photographed world leaders, a host of rock stars and Oscar-winning compatriots Russell Crowe, Nicole Kidman, and Cate Blanchett.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.
Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.
Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.
What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.
In this exhibition Sydney based photographer Peter Brew-Bevan brings together an intimate collection of works that highlight his passion for the genre of portraiture over the last 10 years
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
During his long and distinguished career Max Dupain took thousands of photographs of people
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Featuring works by Australian and New Zealand photographers from the late 1970s up to the present day Reveries focuses on images made in the presence of or consciousness of death.
This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters
Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.