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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Song Dong Waste Not (detail), 2013

Family collective

Magazine article by Beatrice Gralton, 2013

Beatrice Gralton looks at a larger than life portrait by Chinese artist Song Dong.

Cormac + Callum Kenne, My Children, Sydney, Australia, 2009

Citizen Kenne

Magazine article by April Thompson, 2013

April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Blue Easel with Jack Drawing, 1996-1999

The man behind the art

Magazine article by Giles Auty, 2002

Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.

One hundred days at 7pm 2015 by Fiona McMonagle

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Miles from nowhere, 2008 (printed 2014) from the Games of consequence series 2008 Polixeni Papapetrou

Mother’s muse

Magazine article by Inga Walton, 2020

Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Me

Donated duo

Magazine article by Dr Sarah Engledow, 2009

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Portfolio of 54 portraits compiled by Queen Victoria, 1859–1861 by John Jabez Edwin Mayall, Camille Silvy, Frances Day and William Bambridge

Queen of cartes

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Marcia Langton

The art of multiplicity

Magazine article by Meredith Hughes, 2019

Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency