Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.
