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The champs

Two lively portrait photographs reflect the agility of their subjects: world champion Australian sportsmen Lionel Rose and Anthony Mundine.

In focus

Brook Andrew, Marcia Langton and Anthony Mundine.

Big shots

Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.

Charmed by the Rose

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Four from the 30s

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Portrait 57

The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.

Powerful energy

Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.

Sophisticated and glamorous

Michael Riley’s early portraits by Amanda Rowell.

An Intimate Portrait of an Australian Artist in 1930

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Reflection

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Shifting pixels

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

Every flap, fold and bulge

Big it up

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Exposed: Voyeurism Surveillance and the camera since 1870

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.