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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Barack Obama, 2018 by Kehinde Wiley

The Obama effect

Magazine article by Kim Sajet, 2018

Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.

15 Minutes of Frame

Karen Quinlan and Kim Sajet, 18th November 2020
Recorded virtual programs

Karen Quinlan AM, Director of the National Portrait Gallery of Australia, in conversation with Kim Sajet, Director of the Smithsonian’s National Portrait Gallery, Washington, D.C.

Portrait 59

Autumn 2018
Magazine

NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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