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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / john chapman

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John Chapman

Little is known of John Chapman, who engraved fine allegorical subjects after the designs of J Smith and Richard Corbould and worked closely with Thomas Macklin on his Shakespeare series.

2 portraits in the collection

Admiral Bligh

Admiral Bligh

Admiral Bligh

Admiral Bligh, 1801

Portrait, stipple engraving on paper

Purchased 2010

George Barrington

George Barrington

George Barrington

George Barrington, 1820

Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased 2010

John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns]

John Mitchel with John Martin and Father John Kenyon [the three Johns], 1866

Portrait, carte de visite photograph

Collection: National Portrait Gallery
Purchased 2016

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851, 1883

John Noone after William Strutt

Portrait, photolithograph on paper

Purchased 2013

Self portrait

Evelyn Chapman

Evelyn Chapman studied with Dattilo Rubbo in Sydney and travelled overseas to paint in Paris, where she exhibited at the Salon.

1 portrait in the collection

image not online

Dr Christopher Chapman

After almost 12 years, Dr Christopher Chapman departed as Senior Curator in 2019.

Self portrait

Self portrait

Self portrait

Self portrait, 1911

Portrait, oil on canvas

Gift of Pamela Thalben-Ball 2007

Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

National Photographic Portrait Prize 2019

Previous exhibition, 2019

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Michelle Simmons

Three ways to look at a photograph

NPPP 2019 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2019 Prize.

Zareth, 2009 by Scott Bycroft

NPPP 2010 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2010 Prize.

David Chalmers

Coming into being

NPPP 2018 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Benny (42nd Street Series), 1979–80 by Larry Clark

City boys

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman immerses himself in Larry Clark’s field of vision.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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