Walkley Award-winning photojournalist Andrew Quilty shares an extract from his new book, a powerful visual record of his nine years in Afghanistan.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.
Within a person’s psyche live memories, dreams, instincts, fears and fantasies. On the outside, although our identities may appear far less complicated, we are able to choose which parts of ourselves we wish to project.
William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.
Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.