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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Bligh

William Bligh

About Face article

The life of William Bligh offers up a handful of the most remarkable episodes in the history of Britain’s eighteenth and early nineteenth-century maritime empire.

Opening of the First Legislative Council of Victoria by Governor Charles Joseph LaTrobe at St Patrick's Hall, Bourke Street West, Melbourne November 13th 1851

Magna Carta

About Face article

On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.

Thomas Woolner

Missing Persons

Thomas Woolner in Australia
About Face article

Desperately seeking Woolner medallions

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

James Mccabe Executed Jany. 6th 1826

The consolations of religion

A bushranger meets his maker, 6 January 1826
About Face article

James McCabe provides proof that hanging wasn’t necessarily a fate reserved for the perpetrators of murder and other deeds of darkest hue. 

HM Queen Elizabeth II

Longest reign

About Face article

Queen Elizabeth II is now the longest-reigning British sovereign

Cocky McGrath

About Face article

The long life and few words of a vice-regal cockatoo

Portrait of Captain John Hunter

Goods and chattels

About Face article

I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

Barry Humphries

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

Angkor Wat

Angkor Wat

About Face article

Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

H.H. Princess Marie Louise

Happy New Year

About Face article

This year (in March) we will celebrate the twentieth anniversary of the formal establishment of the National Portrait Gallery. In the life of institutions, twenty years is not a long time.

Death mask of George Melville courtesy of National Trust of Australia (Victoria), Old Melbourne Gaol Collection

A colourful story from Sideshow Alley

Infamy, the macabre & the portrait
About Face article

From infamous bushranger to oyster shop display, curator Jo Gilmour explores the life of George Melville.

Angus Trumble with Portrait of Sir Joseph Banks by Thomas Phillips

Banksia and grevillea

About Face article

Portraits can render honour to remarkable men and women, but there are other ways.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency