This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Tegan McAuley looks at the evolution of video portraiture.
Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.