James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Tegan McAuley looks at the evolution of video portraiture.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.