© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Love my way
Magazine article by Inga Walton, 2022
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Penn on paper
Magazine article by Michael Desmond, 2009
Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.
An Intimate Portrait of an Australian Artist in 1930
Magazine article by Lauren Dalla, 2003
Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.
Of human clay
Magazine article by Michael Desmond, 2009
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The right note
Magazine article by Leslie Ureña, 2020
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Hearts of Darkness
Magazine article by Magda Keaney, 2006
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Moving pictures
Magazine article by Dr Christopher Chapman, 2008
The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.
The numbers man
Magazine article by Dr Sarah Engledow, 2011
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
A real Pratt
Magazine article by Dr Sarah Engledow, 2015
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Off her own bat
Magazine article by Joanna Gilmour, 2022
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Political profiles
Magazine article by Joanna Gilmour, 2016
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.