Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
Two lively portrait photographs reflect the agility of their subjects: world champion Australian sportsmen Lionel Rose and Anthony Mundine.
Brook Andrew, Marcia Langton and Anthony Mundine.
I think the truest representation of someone is a portrait.
Tony Curran ponders whether our phones can change the course of painting.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Michael Riley’s early portraits by Amanda Rowell.