The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
This issue of Portrait Magazine features the exhibition The world of Thea Proctor, porcelain sculpture of Dr. John Yu, Pat Mackie, the Kylie Minogue exhibition and more.
Michael Riley’s early portraits by Amanda Rowell.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
The Kylie exhibition celebrated the significant achievements of one of Australia's most internationally recognisable faces and gave the general public a rare glimpse into her glamorous life.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.