The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
Tara James speaks to Cam Neville about his portrait series, Firefighters.
In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.
Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?
Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.