While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.
To complement the exhibition Australians and the Nobel Prize, Jennifer Gason gives us a sense of the proceedings that occur during the award ceremony.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.
Tony Curran ponders whether our phones can change the course of painting.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.