Penelope Grist charts an immersive path through Stuart Spence’s photography.
Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
That principle of equity of access has ever since been a noble aspiration for all public art museums, as it is for us here at the National Portrait Gallery.
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.