Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018
Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.
Love versus the law
Photography played a significant role in the circulation of messages about law and order, and in the creation of sensation and celebrity.
With author and media identity Peter FitzSimons.
The works I chose are Quong Tart by Pamela See, and Monga Khan by Peter Drew.
A dynamic panel discussion that interrogates some of the themes revealed in Living Memory.
The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.
The eight photographers represent diverse styles, specialities and career paths. Abigail Varney, Peter Brew-Bevan, Martin Philbey, John Tsiavis, Michelle Day, Julian Kingma, and Giovanni Lovisetto.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Artistic Director of The Australian Ballet, David McAllister AM will join the Portrait Gallery’s national collection in a newly-commissioned portrait taken by illustrious Australian photographer, Peter Brew-Bevan.
In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.