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Peter Jeffrey trips the hound nostalgic.

Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

The story behind Rick Amor's portrait of Professor Peter Doherty.

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.