The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Photographer Andrew Maccoll tells the story behind his portrait of dual world champion pro surfer Mick Fanning.
Alistair McGhie discusses Andrew MacColl's portrait photograph of Australian comedian Mick Molloy.
Photographer Ricky Maynard talks us through the creation of the portrait commission of Mick Dodson.
This issue features Jenny Sages, Francis Bacon and Lucian Freud, Brook Andrew's portrait of Marcia Langton, Nicholas Harding, Lola Montez, Mick Molloy and more.
This issue features Del Kathryn Barton, Renaissance Portraiture in New York, Australian impressionists, Nikki Toole’s Skater project, National Photographic Portrait Prize, Andrew Maccoll & Mick Fanning and more.
This issue features suspected poisoner and portrait artist Thomas Wainewright, Rick Amor, Chuck Close, Mick Dodson, Scott Redford, the National Photographic Portrait Prize exhibition and more.
In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.
Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency