Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.
Desperately seeking Woolner medallions
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.
The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.
Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.
The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.