Matthew Jones on the upshot of a St Kilda Road outrage.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.
This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.
National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.
Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.