The exhibition will feature some of the most significant portraits in the artist’s career to date, from early major works such as his painting of HM Queen Mary of Denmark through to his most recent.
The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.
'I have just been to my dressing case to take a peep at you.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
During his long and distinguished career Max Dupain took thousands of photographs of people
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.