Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Angus Trumble’s tribute to the late Right Honourable Malcolm Fraser.
Raimond Gaita comments on war and truth in the context of the First World War.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.