Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.
Cate Blanchett and the art of acting in Rosetzky’s digital portrait.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Tamsin Hong recounts the tale of Marion Smith, the only known Australian Indigenous servicewoman of World War One.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.