Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.
Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Rebecca Ray reflects on Robert Fielding’s Mayatjara series, honouring songlines and intergenerational knowedge.
Jo Bertini describes the evolution of her portrait of artists and friends Kitty Kantilla and Freda Warlapinni.
Guy Maestri’s portrait of the musician was conceived after the artist saw Gurrumul perform in Sydney on New Year’s Eve 2008.
Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.
Rebecca Ray goes backstage with Bangarra’s Head of Design and photographer Jacob Nash.
In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.