Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
This issue features Australian cricketers, surfing legend Isabel Letham, Christos Tsiolkas, Bob Brown's portrait by Harold 'The Kangaroo' Thornton, James Angus, virtual portraits and more.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.