I have always loved portraits; there is something magical about the combination of the terrain of a face, the angle of a head, and the pose of a body.
The story behind the commissioning of the tapesty portrait of Dame Elisabeth Murdoch.
Cate Blanchett and the art of acting in Rosetzky’s digital portrait.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Dr Sarah Engledow explores the early life and career of John Brack.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.